SS25
MY GIFT TO YOU
MY GIFT TO YOU
The garments which make up Musson’s 2025 collection may be considered wearable art. She shares a love for gardens intent on immersing her audience in an abundance of joyful colour and form. She tells a personal story and shares a piece of herself. “I grew up surrounded by gardens that exude colour and beauty, and these places became my safe space.” She dreams, one day, of curating her own garden and becoming lost in the magnificence of nature. Musson wishes to share this vibrancy and optimism with her viewers and submerge them in sensory experiences where colour, shape and form inspire limitless imagination. This is about gardens as a place of rest, joy and belonging; It is about growth, immersion and romantic mystery.
Throughout this project Musson follows the complex and unexpected love story of King Nebuchadnezzar and his wife Amytis of Media (630-565 BC). “I relate to Amytis as we share a desire to be constantly immersed in nature.” Nebuchadnezzar and Amytis’ romantic and power charged relationship created a wonder of the world that remains a mystery to this day: The Hanging Gardens of Babylon. Amytis yearned to be engulfed in the landscape of her memory and imagination. In an act of idealistic, all-encompassing love - or perhaps a boastful display of his abilities - King Nebuchadnezzar created an impossible garden that defied physics and engineering; An architectural phenomenon of beauty, grandeur and mass. Her collection is inspired by this awe-inspiring abundance of pattern and structure.
“Some say that I may never have a garden of my own because my generation lives amidst a cost-of-living crisis. Such suggestions threaten my dream and so this collection is me fighting back and making my dream a reality. If, at this moment, I cannot have a physical garment, I shall create one that can be worn.”
A COLLECTION MADE FROM PAPER AND PAINTINGS
This collection began with the designers paintings of gardens that were close to her heart. These paintings were then digitally printed onto fabric giving the collection its bright and textural appearance. Along with hand painted bows and tights, the collection celebrates textiles with an unexpected material. Paper is used throughout the looks and turned into fabric through techniques known as Joomchi and Momigami. By felting mulberry paper and treating it with oil the paper turns into a soft, suede-like fabric that can be gathered and sewn easily. The designer also treated digitally printed paper with oil and by binding layers of it together it created a new waxy-like fabric that holds a firm structure.
THE RUNWAY
BEHIND THE PROJECT
CREDITS
Photography by Nick Millson and Aga Urbanska | Casting by Colours Agency | Textiles provided by Bella Tela | PrinFab | Petishams | Beauty by Rhamoni Maloney Drummond | Location at Meow Photography Studio Edinburgh | Music Mockingbirds by Kassian